The Teaching Studio at Ars Musica

The Ars Musica teaching studio offers individual music study for students of different ages, experiences, learning styles, and goals. Piano and organ are the primary instruments for exploring music, with opportunities to focus on performance, improvisation, music theory, conducting, and other areas of musicianship.

Students develop technique and musical skills in support of their individual goals. Playing, listening, notation, theory, movement, improvisation, and other approaches provide different ways into the music rather than a fixed sequence every student must follow.

Accessible Pedagogy

Accessibility is part of the teaching method, not a separate program. Lessons can adapt communication, pacing, materials, physical interaction with the instrument, sensory environment, and ways of demonstrating musical understanding.

This approach developed through work in adaptive music instruction and now shapes the studio as a whole. Its principles are useful for every student:

  • Clear expectations and communication

  • Multiple ways to encounter and understand musical ideas

  • Flexible pacing, materials, and goals

  • Attention to sensory and physical access

  • Different ways to participate and demonstrate learning

  • Serious musical work without requiring every student to learn in the same way

Private Lessons

Private study is centered on a 60-minute weekly lesson, with other lengths and structures available when they better support the student.

Available areas of concentration include:

  • Piano performance

  • Organ performance

  • Improvisation

  • Music theory

  • Conducting

  • Repertoire and musical study

Students may concentrate in one area or draw from several according to their interests and goals. These areas support the student's musical development rather than functioning as a required checklist of proficiencies.

ARS MUSICA

Find Your Lesson Format

Most Ars Musica students study for an hour, but the best lesson length depends on the musician and the work. Answer a few questions and I'll suggest a useful place to begin.

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Who will be taking lessons?

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What would you like lessons to include?

Choose as many as you like. There is no advantage to choosing more.

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How much musical experience is already there?

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When you're learning something difficult, what usually feels most useful?

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What tends to happen when something takes a long time?

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At the end of a good lesson, which sounds best?

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What are you hoping to do?

Choose the closest fit.

RECOMMENDED STARTING FORMAT

minutes

This is a starting recommendation, not a rule. Lesson length can change as we learn what works. A longer lesson can include breaks, movement, changes of activity, and different ways of working. A shorter lesson is not a lesser lesson.

Who Studies Here

The studio welcomes beginners and experienced musicians, children and adults, returning students, disabled and neurodivergent students, and musicians pursuing focused or advanced study. Goals can range from first experiences at the piano to advanced repertoire, improvisation, conducting, theoretical study, or developing a richer understanding of music.

No particular background, learning style, or professional ambition is required for serious music study.

A Place of Welcome

Your welcome here is not a question.

Disabled and neurodivergent people are welcomed and respected. LGBTQ+ identities are honored. Different bodies, minds, families, cultures, identities, and ways of communicating and learning belong in the studio.

Students should not have to minimize who they are in order to study music. Ars Musica will continue to maintain a teaching environment grounded in dignity, respect, accessibility, curiosity, and the expectation that every student deserves meaningful musical opportunities.

Beyond Private Lessons

Through Ars Musica, Parker also offers group instruction, workshops, coaching, and guest clinician work for schools, community organizations, churches, ensembles, and other groups. Programs may focus on:

  • Keyboard study and improvisation

  • Conducting and ensemble skills

  • Accessible and adaptive music-making

  • Rehearsal practice

  • Music literacy and theory

  • Customized areas of study

Accessibility and adaptation are considered as part of program design from the beginning.

Starting Lessons

New students may begin with a free 30-minute consultation to discuss goals, experience, accessibility, scheduling, lesson length, and tuition, alongside a sample of what a lesson might look like.

There is no obligation to enroll. The consultation provides a practical starting point for determining the lesson structure and approach that best fit the student.